Federico Pacifici's pictures

The Taming of the Shrew, Gremio, make up section, summer 2015

New B&W 3/4 and profile

by Vittoria Fenati
Caffè Poliziano, Montepulciano, Italy, December 2014

Profile and 3/4, 2012

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1911 one of the first colored daguerreotypes

February 2011, on stage by Michele Curci

Potenza, Italy, November 5th, 2010

pictures by Pierluigi Rottura

 

April 13 - May 30, 2010

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Frames from a self audition

                   

September 23rd, 2009

Morning self portraits

                    

                        May 24th, 2009                                                         September 1st, 2009                                                     September 1st, 2009               

Two headshots taken by Ottavio Celestino

   April 30th, 2009               May 4th, 2009

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"A man, a dog"

December 2008-January 2009

A movie that will never be shot

             

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from "The exposure of Tom King" November 8th 2008

          


                     

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March 2007                                                    September 2nd, 2007                                                  September 2nd 2007

    

Rome 2,   September 2006

 

       
 

2006



as B. F. Pinkerton, Lieutenant in the United States Navy, 2004/5

March 2001

Headshots taken by Francesca Tecce, Autumn 2000

Again, headshots taken by Francesca Tecce, Autumn 2000

Just the time to get shaved!

Lady in the dark: Teatro Massimo Palermo 2001, Teatro dell'Opera Roma 2002.

as Kendall Nesbitt

   Looking too close at the Opera Theater make-up

Taken by a public photo-machine, 1999      

head-shot by Moshe Katvan, 1994

head-shot by Hugh, 1993, taken in Union Sq., NY

   by Donatella Rimoldi, 1977

A '700 century bad character of mine.

The same '700 century bad guy facing Borgio's landscape. 1994

My Childood:

My older brother Marco (blonde haired one) and myself 1959.

Again: when I was still a kid full of hopes.

Just a joke

Poster of "Flight of the Innocent" by Carlo Carlei 1992

Make-up by Alessandro Bertolazzi

Transforming ourself is a matter of make-up of course, together with lighting, feeling and a good director's directions.

LEFT: "The Night Taste"

by Claudio Caligari, 1998.
Make-up by Franco Corridoni.

RIGHT:
"La Banda"
by Claudio Fragasso, 2000.
Make-up by Alvaro Rossi,
Hair dresser Alessandra Molinari.

Hur, a Moses' fellow 

Hur calls his agent and then thinks, 1995

Thinking Hur

Up side down in NYC, winter 1995/6

from "La Morte al Lavoro" by Gianni Amelio

(link to CheckOut.com, movie)

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